{"id":6323,"date":"2021-08-24T21:59:49","date_gmt":"2021-08-25T00:59:49","guid":{"rendered":"https:\/\/red.antropologiadelcuerpo.com\/?p=6323"},"modified":"2021-08-24T21:59:49","modified_gmt":"2021-08-25T00:59:49","slug":"denise-zenicola","status":"publish","type":"post","link":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/denise-zenicola\/","title":{"rendered":"Denise Zenicola"},"content":{"rendered":"<p>Core\u00f3grafa, pesquisadora, bailarina e professora universit\u00e1ria. Possui Mestrado e Doutorado em Artes C\u00eanicas pela Universidade Federal do Estado do Rio de Janeiro UNIRIO. Possui P\u00f3s Doutorado em Dan\u00e7as Negras e Grafismos Corporais \/financiamento Capes, no ISCTE em Lisboa e desde agosto de 2021 est\u00e1 em segundo Est\u00e1gio P\u00f3s Doutoural pela UFPA. Docente do IACS, \u00e9 professora Associada na Universidade Federal Fluminense &#8211; UFF e coordena o Laborat\u00f3rio no CNPQ Coletivo MUANES Dan\u00e7ateatro e Performances Afro Brasileiras. \u00c9 Professora do Programa de P\u00f3s Gradua\u00e7\u00e3o em Artes C\u00eanicas &#8211; PPGAC na UNIRIO. \u00c9 pesquisadora l\u00edder junto ao Grupo de Pesquisa NEPAA\/ UNIRIO e pesquisadora no CIRANDA, na UFPA.<\/p>\n<p>Forma\u00e7\u00e3o em Dan\u00e7a Cl\u00e1ssica, Contempor\u00e2nea e Dan\u00e7as Negras. Trabalha com fus\u00f5es de Dan\u00e7as Contempor\u00e2neas com as Est\u00e9ticas Afro diasp\u00f3ricas na cena.<\/p>\n<p>\u00c9 Coordenadora na ABRACE, Associa\u00e7\u00e3o Brasileira de P\u00f3s Gradua\u00e7\u00e3o em Artes C\u00eanicas. Efetua performances art\u00edsticas com o Coletivo Muanes Dan\u00e7ateatro; Desenvolve os projetos: M\u00e1scaras Decoloniais nas Dan\u00e7as Contempor\u00e2neas n. 62000.<\/p>\n<div class=\"ose-youtube ose-uid-116222850192da022306196266022cbc ose-embedpress-responsive\" style=\"width:600px; height:550px; max-height:550px; max-width:100%; display:inline-block;\" data-embed-type=\"Youtube\"><iframe loading=\"lazy\" allowFullScreen=\"true\" title=\"MASK - Espet\u00e1culo completo\" width=\"600\" height=\"550\" src=\"https:\/\/www.youtube.com\/embed\/nxiRwl4BSmU?feature=oembed&color=red&rel=0&controls=1&start=&end=&fs=0&iv_load_policy=0&autoplay=0&mute=0&modestbranding=0&cc_load_policy=1&playsinline=1\" frameborder=\"0\" allow=\"accelerometer; encrypted-media;accelerometer;autoplay;clipboard-write;gyroscope;picture-in-picture clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><!--more--><\/p>\n<p>e-mail: denisezenicola@gmail.com, &nbsp;denisezenicola@id.uff.br<\/p>\n<p>&nbsp;site: <a href=\"https:\/\/denisezenicola.com.br\/\" target=\"_blank\" rel=\"noopener\">https:\/\/denisezenicola.com.br\/<\/a><\/p>\n<p><strong>Livros<\/strong>: Performance e Ritual, RJ, FAPERJ \/Mauad X (2014), Dramaturgias em Dan\u00e7a Teatro, EDA, Madri (2018), M\u00e1scaras Decoloniais, Mauad X (2020). <a href=\"https:\/\/orcid.org\/0000-0001-9284-8751\" target=\"_blank\" rel=\"noopener\">https:\/\/orcid.org\/0000-0001-9284-8751<\/a>.<\/p>\n<p><a href=\"https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/MASCARAS-DECOLONIAIS-CAPA.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6327\" src=\"https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/MASCARAS-DECOLONIAIS-CAPA-201x300.png\" alt=\"\" width=\"250\" height=\"372\" srcset=\"https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/MASCARAS-DECOLONIAIS-CAPA-201x300.png 201w, https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/MASCARAS-DECOLONIAIS-CAPA.png 580w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><a href=\"https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-RITUAL-CAPA-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6325\" src=\"https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-RITUAL-CAPA--217x300.jpg\" alt=\"\" width=\"269\" height=\"370\"><\/a> <a href=\"https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-DRAMATURGIA-CAPA1-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6326\" src=\"https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-DRAMATURGIA-CAPA1-.jpg\" alt=\"\" width=\"1835\" height=\"1325\" srcset=\"https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-DRAMATURGIA-CAPA1-.jpg 1835w, https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-DRAMATURGIA-CAPA1--300x217.jpg 300w, https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-DRAMATURGIA-CAPA1--1024x739.jpg 1024w, https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-DRAMATURGIA-CAPA1--768x555.jpg 768w, https:\/\/red.antropologiadelcuerpo.com\/wp-content\/uploads\/PERFORMANCE-E-DRAMATURGIA-CAPA1--1536x1109.jpg 1536w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Core\u00f3grafa, pesquisadora, bailarina e professora universit\u00e1ria. Possui Mestrado e Doutorado em Artes C\u00eanicas pela Universidade Federal do Estado do Rio de Janeiro UNIRIO. Possui P\u00f3s Doutorado em Dan\u00e7as Negras e Grafismos Corporais \/financiamento Capes, no ISCTE em Lisboa e desde agosto de 2021 est\u00e1 em segundo Est\u00e1gio P\u00f3s Doutoural pela UFPA. Docente do IACS, \u00e9 &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/red.antropologiadelcuerpo.com\/index.php\/denise-zenicola\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abDenise Zenicola\u00bb<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[21,7],"tags":[903,907,904,905,906],"class_list":["post-6323","post","type-post","status-publish","format-standard","hentry","category-brasil","category-investigadores","tag-dancas-afro-diasporicas","tag-dancas-contemporaneas","tag-estudo-da-performance","tag-teatro-e-antropologia-da-danca","tag-videodanca"],"_links":{"self":[{"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/posts\/6323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/comments?post=6323"}],"version-history":[{"count":1,"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/posts\/6323\/revisions"}],"predecessor-version":[{"id":6328,"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/posts\/6323\/revisions\/6328"}],"wp:attachment":[{"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/media?parent=6323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/categories?post=6323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/red.antropologiadelcuerpo.com\/index.php\/wp-json\/wp\/v2\/tags?post=6323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}